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Derek Bailey & Min Tanaka


Performing in Hakushu, Japan. From the 1993 Incus video "Mountain Stage."

Channel: Music
Uploaded: November 30, 1999 at 12:00 am
Author: donjuanauxenfers

Length: 06:27
Rating: 4.70
Views: 30377

Tags: bailey  derek  free  improvisation  japan  min  tanaka  

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Video Comments

Tonymostrom (November 30, 1999 at 12:00 am)
The fact that this exists is a testament to human artistic inventiveness. Art and logic are very distant cousins.
EmmaYaBasta (November 30, 1999 at 12:00 am)
This is wonderful, and yes definitely echoes Kota music (which Derek obviously knew). Makes the LP seem even more precious than before. I saw Tanaka dance to John Tilbury playing John Cage once, and this is as good as that.
whatsername109 (November 30, 1999 at 12:00 am)
WTF
Benjamin666face (November 30, 1999 at 12:00 am)
The fact that this exists is a testament to the bizarre and illogical nature of human life.
Tonymostrom (November 30, 1999 at 12:00 am)
Delicious, idnit ?
powelldinho (November 30, 1999 at 12:00 am)
the fact that such a clip can spark debate is a testament to its artistic value, imho.
Tonymostrom (November 30, 1999 at 12:00 am)
Great moments in wit.
fas11030 (November 30, 1999 at 12:00 am)
What the hell is a Min Tanaka?
Tonymostrom (November 30, 1999 at 12:00 am)
Well it's an interesting question that, about marginalization. Many modernist composers' hard-core experiments tend to trickle down and influence many more musicians, then the public: Stravinsky-Zappa, Beefheart-Talking Heads, Stockhausen-Beatles. Derek himself seems in retrospect to have inspired legions of Japanese noise bands (Boredoms, Ruins, Otomo Yoshihide); many British & European free players were well-received in Japan, in fact. Derek toured there several times, from '78 to '85 or so.
FreeImprovMan (November 30, 1999 at 12:00 am)
Many British composers in the early sixties (such as David Bedford) were trying this sort of thing. It was justly marginalized because, whilst a handful of pseudo-intellectuals might enjoy pontificating about 'meaning', the plain truth is noone wants to listen to it. Last concert of avant garde guitar music I went to (featuring some improv sections) had an audience of 10.

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